Movies: Kurt Kren

An eccentric homage to the Rainer Werner Fassbinder days of German filmmaking....

At the center are takes which do not change - a tree in a field in Vermont, U.S.A. Since the film was shot over a period of fifty days, the single frame shots create a storm of pictures....

Kren’s 10/65 Selfmutilation is developed from a Gunter Brus “action”. What the film emphasizes is the surrealistic drama of symbolic self-destruction that Kren drew out of Brus’ action, pacing out each gesture so that one gets a tense, iconoclastic r...

Kren frames the image to suggest a proscenium, with a view to the harbor that conveys a literal sense of “tele-vision”. The static framing of the image and the clearly stratified mise-en-scène can hardly provoke interpretation. The sight of the girls...

This three-minute film was far more akin to the American-style "happening" in that the content was not particularly extreme. It was built up from items such as broken bicycle parts, a nude model, pieces of furniture, and these elements were then obsc...

In Schatzi Kurt Kren films a photo which shows an SS officer standing on a town square which is littered with dead bodies....

Filmmaker Jonas Mekas films 160 underground film people over four decades....

A meadow, a lake, the silhouette of a hill, trees. 21 days of the same view in Saarland. 21 days with five different cut-outs in a mask before the camera, which finally reveals a complete panorama. The landscape changes with the advancing seasons and...

A subversive and experimental film by Otto Muehl....

Based on a Muehl Happening. The almost convulsive use of juxtaposition reappears here, but the captured gesture assumes a more erotic sensitivity, though the "action" itself was primarily a gradual destruction of the erotic....

A guy having sex with a woman on a rooftop – just to get her coffee-machine....

Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously wit...

Kren's second film and the first he cut according to a strictly serial, sequence technique: in various frame sizes, the 48 portraits from the Szondi Test for "experimental diagnosis of human impulses" are shown in pre-specified lengths (between one a...

Zeichenfilm - Balzac oder das Auge Gottes is a play on the idea of trick film. And trick film it is. The 30-second work is shown twice in case the viewer missed something the first time: in crude hand-drawn animation Zeichenfilm ... evokes the scatol...

In the first action he filmed, 6/64 Mama und Papa, Kren’s editing leads to many interlocking continuous shots; central takes recur like a leitmotif, circular motion and networking can be observed throughout the film. Kren painstakingly weaves the fur...

In 9/64 O Christmas Tree Kren offers a more visually descriptive development of a Muehl "action". The images have been chosen to follow a more dramatic sequence, probably because the action itself contained a wide range of images and materials....

Home movies shot on Super 8mm by W+B Hein over 10 years....

Kren shows the cinema (mentioned in the title) during and after film presentations. He uses single-frame and time exposures 5 to 30 seconds long. Sometimes sunlight comes through the open door into the theater changing the colors in the film remarkab...

"Action" by Günter Brus. At first Kren did not want to show the film, because the image is underexposed. A copy of the negative material turned out to be better than the original material and so Kren did show the film. The film's title relates to Bru...

A kind of home movie made in Brus' apartment. Brus' Christmas wishes can be seen on a poster which he painted and which he holds for a short time in front of the camera....