Movies: Kurt Kren

  • 1983
    42/83: No Film

    42/83: No Film (1983)

    42/83: No Film

    5.31983HD

    "In 1983, I got a job as a museum attendant and abandoned film-making entirely. And so the question arose: "no film?," and the conclusion I came to was: no film. Question mark." (K.K.)...

    42/83: No Film
  • 1967
    16/67: September 20th

    16/67: September 20th (1967)

    16/67: September 20th

    2.31967HD

    A collage of many visuals. A man urinates; a man has a drink. A man defecates; someone eats a meal. 16/67 September 20: ‘The Eating Drinking Shitting Pissing Film'....

    16/67: September 20th
  • 1979
    38/79: Sentimental Punk

    38/79: Sentimental Punk (1979)

    38/79: Sentimental Punk

    3.51979HD

    'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. ...

    38/79: Sentimental Punk
  • 1961
    4/61: Walls Pos.-Neg. and Way

    4/61: Walls Pos.-Neg. and Way (1961)

    4/61: Walls Pos.-Neg. and Way

    31961HD

    The film uses slides - photographic planes - which show different surfaces and finishes of a wall, which have been erroded by time. Kren stacks the positives and negatives of these pictures quickly one after the other, so that a moving relief-type st...

    4/61: Walls Pos.-Neg. and Way
  • 1960
    3/60: Trees in Autumn

    3/60: Trees in Autumn (1960)

    3/60: Trees in Autumn

    6.41960HD

    The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer is constrained within a systematic or structural procedure, incidentally the precursors of the most struct...

    3/60: Trees in Autumn
  • 1984
    43/84: 1984

    43/84: 1984 (1984)

    43/84: 1984

    101984HD

    Kurt Kren recorded the last television debate in the Reagan/Mondale election campaign. In the viewfinder, the television filled the entire picture, but the viewfinder did not match the lens entirely so that the television screen in the picture was ve...

    43/84: 1984
  • 1967
    13/67: Sinus Beta

    13/67: Sinus Beta (1967)

    13/67: Sinus Beta

    31967HD

    Sinus Beta is almost a sort of teaching film about bodily behavior in different situations. The film also produces, through the heterogenic photographic materiality of the primary elements, a cross-section of the methods, used in capturing the body i...

    13/67: Sinus Beta
  • 1966
    12/66: Cosinus Alpha

    12/66: Cosinus Alpha (1966)

    12/66: Cosinus Alpha

    4.71966HD

    Kren’s last film to include any direct reference to Otto Muehl is 12/66: Cosinus Alpha, a 10-minute film that completes a cycle of elaborate sensual montages and materials....

    12/66: Cosinus Alpha
  • 1995
    49/95: thousandyearsofcinema

    49/95: thousandyearsofcinema (1995)

    49/95: thousandyearsofcinema

    3.71995HD

    The making of pictures becomes the central issue in itself in that, with an analytical single-picture procedure, picture-taking tourists on Vienna's St. Stephen's Place are captured and their faces animated to a dance....

    49/95: thousandyearsofcinema
  • 1993
    Memoirs of My Nervous Illness, Part 3

    Memoirs of My Nervous Illness, Part 3 (1993)

    Memoirs of My Nervous Illness, Part 3

    01993HD

    On the 28th of October 1884 Daniel Paul Schreber, candidate of the National Liberal Party in Chemnitz, suffered a heavy defeat at the elections of the German Reichstag. He was taken up in the mental clinic of the Leipzig University soon afterwards. T...

    Memoirs of My Nervous Illness, Part 3
  • 1968
    17/68: Green-red

    17/68: Green-red (1968)

    17/68: Green-red

    31968HD

    Kren filmed, in microscopic detail the reflection and refraction of the light in/on a glass bottle. However, the bottle itself (the whole body) is never seen. What is seen is much more the emanations of light from the glass and its clarity. (Michael ...

    17/68: Green-red
  • 1981
    40/81 Breakfast im Grauen

    40/81 Breakfast im Grauen (1981)

    40/81 Breakfast im Grauen

    91981HD

    Kren in New Hampshire, New England. Together with friends he lived from the demolition of wooden houses and sale of the wood. Kren was the "nail puller". (Hans Scheugl)...

    40/81 Breakfast im Grauen
  • 1985
    44/85: Foot'-age Shoot'-out

    44/85: Foot'-age Shoot'-out (1985)

    44/85: Foot'-age Shoot'-out

    6.71985HD

    "It became easier to understand Kren's method of approaching film when he illustrated his matter-of-factness with a story: he was asked to shoot and deliver a film, for a festival, given four day's notice, which he did ('foot'-age shoot'-out'). He no...

    44/85: Foot'-age Shoot'-out
  • 2010
    Becoming Otto

    Becoming Otto (2010)

    Becoming Otto

    02010HD

    A portrait of the Austrian avant-garde artist Otto Mühl/Muehl (1925-2013), whose work combined sex, violence, gastronomy and bodily effluence with unbridled abandon....

    Becoming Otto
  • 1976
    32/76: To W + B

    32/76: To W + B (1976)

    32/76: To W + B

    31976HD

    I took a photograph of the view out of the window and had a very large negative made from it, which I fastened to the lens hood attacement in front of the camera. I tried to bring the negative into alignment with the real landscape which I could see ...

    32/76: To W + B
  • 1956
    Rome

    Rome (1956)

    Rome

    01956HD

    Vacation pictures from Rome....

    Rome
  • 1978
    36/78: Rischart

    36/78: Rischart (1978)

    36/78: Rischart

    4.51978HD

    Hans-Peter Hochenrath and Birgit Hein made a documentary film about me for the Saarland Network and wanted me to make a self-portrait. Instead of pointing the camera lens away from myself, I pointed it toward myself. I rewound the film over and over ...

    36/78: Rischart
  • 1996
    50/96 Snapshots (For Bruce)

    50/96 Snapshots (For Bruce) (1996)

    50/96 Snapshots (For Bruce)

    81996HD

    Kurt Kren records snapshots of visitors to Vienna who are photographed in front of the statue of Johann Strauss Jr....

    50/96 Snapshots (For Bruce)
  • 1968
    Satisfaction

    Satisfaction (1968)

    Satisfaction

    9.51968HD

    An experimental, bizarre and a very different shooting of an association between the sexes....

    Satisfaction
  • 1973
    29/73 Ready-Made

    29/73 Ready-Made (1973)

    29/73 Ready-Made

    01973HD

    In a TV film about the film Casablanca, Kren is meant to read aloud three letters that Groucho Marx wrote to Warner Bros., because they wanted to take legal action against him over A Night in Casablanca. The recorded material could not be used on tel...

    29/73 Ready-Made