Movies: David Wharry
- 1980
Freighters of Destiny (1980)
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- 2023
Anatole Lacoste et l'oeil du calamar (2023)
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Anatole Lacoste and the Eye of the Squid General Picture – Episode 13 On his return to Paris after his discovery of the tomb of the giant squid Kheptar in the Nile Valley in Nubia, the Egyptologist Professor Anatole Lacoste falls into the hands of ...
- 1986
Carlton Dekker (1986)
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- 2021
Dream (2021)
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Dreams: that cinema of the mind in which we are both spectator and protagonist, where anything is always seamlessly possible, where the most implausible encounters are commonplace....
- 1981
El Cafetal (1981)
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On a coffee plantation near Havana in the early 19th century, a slave’s impossible love for the owner’s daughter....
- 1983
Chutes de Feuilles d’été (1983)
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- 2021
The Screen (2021)
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The actors: a projector, a screen, a voice, an audience and a cinema. The locations: “here” and “there.” The situation: an audience is sitting in the dark in a cinema. The film begins when the projector is switched on. The projector is running em...
- 1983
Feuilles d'été (1983)
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Teo Hernández films some friends in a park under the Parisian summer heat....
- 1978
Wishful Thinking (1978)
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- 1980
A Touch of Venus (1980)
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- 1981
Body and Soul (1981)
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- 2021
The Taj Mahal (2021)
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"The eye. It sees. It sees what it sees. Light…"...
- 2018
Point Blank (2018)
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Shot-by-shot description of John Boorman’s neo-noir film (1967), starring Lee Marvin, co-starring Angie Dickinson, Keenan Wynn and Carroll O’Connor....
- 1978
For Eyes Only (1978)
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- 1980
Suddenly Once More (1980)
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The multiple identities of Professor Anatole Lacoste....
- 1980
Interlude (1980)
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The intermission....
- 1983
Written on the Wind (1983)
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What do you remember about a film when you haven’t seen it for ten years? James McCourt’s memory is prodigious. In an office in the Rockefeller Center in Manhattan, the American writer recounts his favourite film, Douglas Sirk’s 1956 melodrama WRITTE...
- 1969
The Edge of Darkness (1969)
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- 1969
The Mark of the Three (1969)
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- 1977
Horizontal Hold (1977)
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Structuralist film using multiple photographs of a number of people projected at varied speeds against multi-colored backgrounds....