Movies: William Raban

Home movies shot on Super 8mm by W+B Hein over 10 years....

Footsteps is in the manner of a game re-enacted, the game in making was between the camera and actor,the actor and cameraman, and one hundred feet of film. The film became expanded into positive and negative to change balances within it; black for p...

A camera recorded one frame every minute (day and night) for two separate three-week periods in autumn and spring. The film is shown on two adjacent screens, each having a soundtrack that was recorded on a sampling basis. The left hand screen was sho...

This movie is an experimental documentary following the flow of the Thames out of London to the sea. It has a narration from John Hurt that takes the form of reading old manuscripts, books and news articles, and also a posthumous narration from poet ...

"Like all the works I have done which refer directly to another artist, After Lumière… is not directly 'about' the Lumière original. It is the starting point for an investigation. In this case it is an investigation into consequentiality, or at least...

Documentary about architectural structures in the UK....

Shot in a remote part of Dartmoor, Breath is structured around a precise score. Three people are each given a camera loaded with 100ft of Kodachrome film and instructed to walk away from a tape recorder that has been placed within the landscape. The ...

William Raban's Sundial (1992), shot in the same location as his film Island Race, combines strongly formal procedures with an equally emphatic political message, which is conveyed through careful juxtaposition of objects in the field of view....

Le déjeuner sur l’herbe is simultaneously perceived from four different camera positions in a work which engages with the pro-filmic in order to question documentation, illusion and the film viewing process....

A documentary/art film inspired by the Charles Dickens essay "Night Walks."...

With the threat of nuclear conflict between North Korea and America comes the realization that the blast effects of a nuclear strike would be outweighed by the potentially irreparable damage to the Earth’s atmosphere. In 1783 the Laki volcanic erupti...

“The film is in three parts, each one exploring the fragmentary experience of perception by resorting to various forms of temporal and spatial dislocation. ‘Concrete Fall’ and ‘Fergus Walking’ are both filmed from a moving viewpoint, and the camera m...

Following the eruption of the Lakakigar volcano, Iceland in 1783, a sulphurous haze shrouded vaste swathes of the northern hemisphere, causing widespread crop failures, consequent famine and disease across Europe, parts of America, North Africa, and ...

Directed by William Raban....

Shot from the 21st floor of the iconic Balfron Tower, the film takes in the city of London below. Filmed mostly in time-lapse with the camera tracking across this aerial field of view, the intention is to create a cinematic map that exposes the neura...

72-82 tells the story of the first ten years of Acme Studios and their ground breaking work providing artists' housing and studios in London. It also features some of the pioneering exhibitions at the Acme Gallery that was based in Covent Garden from...

A witty take on the contingencies of the conditions in which to best read Marx. Filmed over 6 days, the time-lapse technique compresses a classic text (Karl Marx's 'Das Kapital') into a 9 minute experience, raising questions as to how film might tra...

Made two months in advance of the referendum to decide whether the UK should remain within or leave the European Union, speculates on the outcome of the vote. This is a satirical fairytale – a political provocation that invites the audience to guess ...

"The film alternates from recording in time-lapse (one frame every ten seconds) to running through the camera at 24 f.p.s. (regular speed). The film was made in a continuous heavy rainstorm, and the front element of the Angenieux lens accumulated dro...

The paradox of the present as a time that cannot be reflected upon until it has already become past, seems consistent with the idea of thinking about the passage of time as the movement within a wave, where the individual particles of water remain st...