Movies: Ed Emshwiller
- 1967
Dont Look Back (1967)
Dont Look Back7.41967HD
In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Pri...
- 1980
The Lathe of Heaven (1980)
The Lathe of Heaven6.81980HD
George Orr, a man whose dreams can change waking reality, tries to suppress this unpredictable gift with drugs. Dr. Haber, an assigned psychiatrist, discovers the gift to be real and hypnotically induces Mr. Orr to change reality for the benefit of m...
- 1968
Diaries, Notes, and Sketches (1968)
Diaries, Notes, and Sketches7.41968HD
An epic portrait of the New York avant-garde art scene of the 60s....
- 1976
Lost, Lost, Lost (1976)
Lost, Lost, Lost6.91976HD
Jonas Mekas adjusts to a life in exile in New York in his autobiographical film, shot between 1949 and 1963....
- 1962
The American Way (1962)
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A comedy short which pokes merry anarchistic fun at such quintessential American institutions as mom, baseball, and apple pie. It features an early appearance from actor John Cazale....
- 1963
Hallelujah the Hills (1963)
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Jack and Leo vie for the affections of Vera – who appears a little differently to each man – over the course of a series of energetic sketches, flashbacks and homages....
- 1963
Thanatopsis (1963)
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Power saws and a heartbeat score this experimental light-and-color shot by Ed Emshwiller....
- 1966
Galaxie (1966)
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In March and April of 1966, Markopoulos created this filmic portrait of writers and artists from his New York circle, including Parker Tyler, W. H. Auden, Jasper Johns, Susan Sontag, Storm De Hirsch, Jonas Mekas, Allen Ginsberg, and George and Mike K...
- 1997
Birth of a Nation (1997)
Birth of a Nation6.31997HD
Filmmaker Jonas Mekas films 160 underground film people over four decades....
- 1974
Suite 212 (1974)
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Suite 212 is Paik's "personal New York sketchbook," an electronic collage that presents multiple perspectives of New York's media landscape as a fragmented tour of the city. Paik critiques the selling of New York by multinational corporations and the...
- 1965
George Dumpson's Place (1965)
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Employing experimental techniques, Emshwiller magically moved through a collection of objects and artifacts in order to capture the spirit of George Dumpson and his backyard museum....
- 1962
Time of the Heathen (1962)
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In New York four years after the bombing of Hiroshima, a bible-carrying drifter who witnesses the rape and murder of a black woman is framed and pursued by locals while left as the sole protector of the woman’s young son....
- 1966
Relativity (1966)
Relativity4.71966HD
Emshwiller made this film on a Ford Foundation grant, and in his original proposal to the Ford Foundation, he outlined the film as "something that deals with subjective reality, the emotional sense of what one's perception of the total environment is...
- 1971
Millhouse (1971)
Millhouse6.31971HD
Emile de Antonio's film decimates Richard Nixon and exposes him as a paranoid, power mad lunatic... de Antonio compiles (via video and film) what amounts to the "best of" one of the worst political figures of the 20th century. Nixon was a shameless s...
- 1956
The Thing from Back Issues (1956)
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A film by Ed Emshwiller made with writers from the Original Milford Science Fiction Writers Conference. Silent film. Mid 1950s....
- 1958
Monsters (1958)
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The Second film by Ed Emshwiller...
- 1979
Sunstone (1979)
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Experimental computer animation from pioneering artist Ed Emshwiller....
- 1973
Painters Painting (1973)
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Painters Painting: The New York Art Scene 1940-1970 is a 1972 documentary directed by Emile de Antonio. It covers American art movements from abstract expressionism to pop art through conversations with artists in their studios. Artists appearing in ...
- 1974
Crossings and Meetings (1974)
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A lone man walking across the video screen is the starting point for this dynamic formal exercise. This image and its accompanying sound are subjected to increasingly complex and proliferating configurations to arrive at what Emshwiller calls a "visu...
- 1970
Carol (1970)
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Ed Emshwiller’s tender portrait of his wife, avant-garde science fiction writer Carol Emshwiller....