Movies: Grigori Aleksandrov

As was common in Diaz's Mexico, a young hacienda worker finds his betrothed imprisoned and his life threatened by his master for confronting a hacienda guest for raping the girl. This film is the first of several attempts to make a feature-length mo...

The film is about the Soviet People's patriotism and friendship....

Documentary made for the 60th anniversary of Soviet director Sergei Eisenstein....

During his adventure in Mexico, Sergei Eisenstein made footage of a Mexican "Death Day" celebration for inclusion in his "Que Viva Mexico!" film project. When the 200,000-plus feet of film he eventually exposed in Mexico was first attempted to be ma...

This film shows contrasting views of women with problematic pregnancies and the outcomes resulting when they seek out a back-alley abortionist, a trained and licensed abortion provider in a clinic, or an obstetrician capable of performing a Caesarian...

A documentary on the life of the famous actress, deceased wife of the director Grigoriy Aleksandrov....

Archive footage from Potemkin (1925), with English dialogue dubbed in by American actors, is combined with new footage to tie together the brave stand of Odessa Russian guerrilla bands of the 1940's against German forces with the similar situation of...

Footage of the aftermath of the January 14 1931 earthquake in Oaxaca, Mexico....

Wartime documentary by Dovzhenko and Solntseva....

Tanya Morozova, an illiterate but industrious textile factory worker, finds happiness through her education and the Stakhanovite movement. She becomes a shock labourer and ascends through the Party ranks, ultimately being elected as a member of the S...

A test film for black-and-white television, made by Mosfilm in 1967. A girl dreaming to be in movies got a call from Mosfilm, asking her to be filmed. She enters the dreamy bubble that is called filmmaking. The film was commissioned by the Research ...

The main film character, an ordinary peasant Martyn Borylya, decided to get a noble order. Having chosen a little and primitive aim, in the chase of the artificial values, he loses everything....

Eisenstein shot 50 hours of footage on location in Mexico in 1931 and 32 for what would have become ¡Que viva México!, but was not able to finish the film. Following two wildly different reconstruction attempts in 1939 (Marie Seton's 'Time in the Su...